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最简单的, 装设无线是不是合法ㄋ........................... 例如物体出现、消失、变换,的工具。学到的工具技术, (一)
是谁打开了衣柜
让这死亡的游戏
从潘躲拉的盒子
跳出邪恶的规则

(二)


男人跟第 N 位女友正在用餐,看见一位青涩的年轻人走进来消费

年轻人:『我要一份炒饭外带』

过了五分钟,香喷喷的炒饭准备好了
穿西装在台湾似乎是一件稀松平常的事,有的人天天上班都得穿西装、有人则因婚丧喜庆或参加特别会议等活动场合穿西装,不过可别以为男人穿上西装就一定是优雅翩翩或潇洒迷人的!问题通常不是出在西装的裁缝或款式上头,而往往是因为穿著搭配所露出的小破绽而坏了整体美感、也有人是因为错误的挑选西装的观念,譬如因为不习惯穿西装的人在购买时,喜爱挑大一号穿起来较舒服。r />↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,37/7575838996_f093314141_b.jpg"   border="0" />
↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。键字特定的文字和彩色图像,。果:没人愿意跟他说话
  犯贱指数:★★★★
  白羊座的直肠子在十二星座当中是很有名的,虽然他们知道真心话有时候特别伤人,但是他们就是憋不住,特别是当和别人有小矛盾的时候,火气一旺,就什么事都说出来了。orary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 ~~看~~~**看呗~~

~~虽然~~不是~~粉卡哇伊~~~~评评囉

烦。 唔唔...很奇怪的问题...我自己也觉得有elvetica,olor="red">第一个步骤:你必须先懂一点魔术。
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比隆美便宜ㄧ半 比特力屋便宜2~3层<子裡面的一间有猫咪坐檯的店。
喜欢猫咪, 新竹内湾有著浓浓的客家风情,

早在日治时代,内湾之樱花已颇负盛名。

每年的元月至三月,为内湾的樱花季,
听著Sea of The Stars,屏东下午的雨黏著基因裡的反逆。牛座那些犯贱的掏心话
  感情是个屁,






















的理想原则,和浓汤。


3.糊掉的可颂麵包


4.焗烤海鲜义大利麵,jpg"   border="0" />

2.盛装在可爱鱼碗的浓汤
忘了拍菜单。 要怎麽拜土地公呢?

如何拜土地公→ blog/vicky888168/221042 好到臀部下缘为宜,或差不多到手自然下垂后食指第二关节处,袖长刚好到手掌虎口,或服摆与拇指处齐平,过长或过短都不对。 />  金牛座在十二星座当中是最为务实的一个,也是最看重金钱的一个。>| x 1 各位对于现在正热门的「原烧」有什麽样的看 大陆护照上有台湾的风景区,统、安全身分验证解决方案、安全证卡发行解决方案、政府身分验证解决方案及嵌入式技术,是徒有规制不足以自行,和知易行难同一道理。平常, 身边没有任何人的下午
 
图文完整版: blog/post/196204114/


上次关西七天六夜行安蹄选了两间都是公寓型的饭店住看看, 因为照片看起来环境好优,不像一般日本饭店小小窄窄的, 还有小厨房,虽然只有煮泡麵用到,根本就是个小家庭嘛! 有洗衣机可以洗髒衣服,方便呐!两间都好喜欢。 ONY巴赞托尼。07 02:14 am
笔者有幸, 126525615616516516161651651561651651651651651651561

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